Yesterday I walked half a mile down the hill to Berkeley's Live Oak Fair, so named because it takes place in Live Oak Park, a block up from Wavy Gravy's house. I go every year. It's free. And fun.
All manner of crafts are on display, from ceramics to exotic clothing to handmade jewelry to vibrant framed photos of bears, coastal fog, and mountain tops. (That's scuplture made of forks to the right.) Four aisles of booths. This being Berkeley, the shoppers wore Birkenstocks, dashikis, face paint, Free Tibet t-shirts, mu-mu's, peace symbols, tie-dye, and other proto-hippy accoutrements.
On the other side of the creek, a four-piece combo played wonderful music while people noshed on smoked salmon caesar salad, pesto pizza, and Polish sausages. Kids splashed around in the creek itself. (The creek comes above ground a block upstream and disappears back underground at the perimeter of the park. Environmental activists are "daylighting" Berkeley's five major creeks.)

Finding Tom Killion and his woodcut prints of Hawaii and the California coast was a treat. I first admired Tom's work in a beautiful book, The High Sierra of California.
From Tom's http://www.tomkillion.com:
"Tom Killion describes his technique, tongue-in-cheek, as "faux ukiyo-ë" to emphasize his aesthetic debt to the landscape prints of early 19th century Japan, but also to acknowledge his embrace of early 20th century European / American wood-engraving and book illustration techniques and styles as well. Among his influences are both the Japanese ukiyo-ë landscape masters Hokusai and Hiroshige, but also European and American wood-engravers such as Eric Gill and Rockwell Kent. Killion carves his images into cherry, all-shina plywood, Amsterdam linoleum and other block materials using Japanese handtools. He prints his often elaborate, multi-colored images on handmade Japanese kozo papers using oil-based inks and a German hand-cranked proofing press."
Killion Hosukai
At the booth, Tom had a set of proofs showing each stage of the making of the print you can see over his left shoulder in the photo. I took a photo of each proof, thinking they'd make a nifty animation. Unfortunately, I'd need to use a camera stand to do this right. The results (caution: large files) are in the Comments section below.
Click to see the animation













Bob Horn, inventor of Information Mapping, visualized and described hypertext long before the Web was invented. His "maps" of connections and thoughts explain concepts better than any 10,000 words, often nearly instantaneously.

Many a workshop or conference on strategy or a reorganization or a new product launch could be replaced by a good cognitive map and a discussion. I imagine the lessons would stick better, too. Workshops try to fancify and retell what's going on. PowerPoint reductionism. Cognitive maps, by contrast, attempt to diagram the real thing.
Three years ago, Bob Horn, Jim Spohrer, and a bunch of other polymath geniuses got together under the auspices of the NSF to discuss the convergence of cognition, biology, nanotech, and information technology. The common thread of Nano-Bio-Cogno-Info? It's all code. This is better than science fiction.

I had the good fortune of chatting at length with Bob right after he returned from the NSF session several years ago. The event was a catalyst for his thinking deeper about unravelling the Human Cognome. Cognome? You got your genome and your bionome. Why not?
Today I was delighted to see where Bob has taken this. Here's his preliminary cognitive map of for researching the Human Cognome itself.
A small chunk:

Bob suggests these major themes for study of the Human Cognome.
The world would be a more attractive place if every company devoted a moment at least once a month to art and humor.








Newsmap reflects what's on the Google News Aggregator. Just go there and browse around. You can choose the news from the US, UK, India, France, Germany, etc. You can pick World News, National, Tech, Business, etc. As you glide over the mosaic, the headlines appear as pop-ups.
It's fun to check out different culture's take on events, say comparing Italian health coverage to New Zealand's, or Indian's viewpoint of tech and the US's.
Imagine this technology coupled to Technorati and RSS. A new way to avoid info glut: "I only read the morning color bars."
Check the references if you're into the sort of thing. Ben Shneiderman's recemt;u updated Treemaps for space-constrained visualization of hierarchies is a great read.
From a pointer by Peter Merholz
Yesterday's itinerary: Fredericton, Boston, Atlanta, Oakland.


It may not look like it, but this is Canadian bacon.

The pub as community networking center.

Chinese scallop scavengers. Or maybe they're eLearning guys.

The Saturday morning market in Fredericton. Local producers, fresh goods, community gathering point. I bought cheese for the flight with Delta, which now considers food an extra-charge add-on.

Stunning views of the Maine coast.

A passenger with time on his hands.

Provisions from Legal Seafoods at the Delta terminal in Boston.

Steamers are not served in California.

"I'll have clams to start and then some clams for lunch."

On the way back, sleep deprivation kicked in and I drew pages of models and insight that I hope looks as cool in a few minutes as it seemed at the time.
I find it miraculous to depart from a town in Atlantic Canada in the early afternoon...

The St. John's River at Fredericton.
...and to awaken in Berkeley, California, the next morning.

Redwoods and maple in the backyard on Poppy Lane in Berkeley.

View south from my living room.
When laser printers first came out, many people began turning out memos that used as many font faces and sizes as possible. These garish "ransome notes" obscured the message they were trying to communicate. Let's hope history doesn't repeat itself now that it's drop-dead simple to create 3D headlines like these:


Here, try it yourself:
The complete package, which also does 3d objects, buttons, and vector graphics, costs $45. Here's more information.
Advice to would-be designers: Don't put too much chrome on the car.
Sunshine in Edinburgh. This is the castle.


The last resting place of David Hume.

On the facade of St. Giles

Along the Royal Mile

These were all over

Bill's favorite pub
Years ago, Electronic Arts brought out a game called Pinball Construction Set. This was pre-Windows, and great visual experiences were rare. I spent countless hours dragging bumpers and rails to create my own personal pinball games. I'd play a while, then modify the game. It was a wonderful metaphor. Make-your-own-game. And then make it better.
Ruder Finn has just released a Picasso Construction Set called Mr. Picassohead, and it is great fun. Perhaps even better than Pinball Construction Set. A Flash ap, it's free and the learning curve is about five seconds. You simply must try this.

Here's my first Picassohead:

I bet I could develop a Technical Proposal Construction Set if I wanted to.
Thanks to Stephen Downes for the pointer.
These were sparked from reading today's New York Times.
Lamborghini's site is a quirky work of art. Absolutely beautiful. Great history. Fun to play in. Yet I could find no way to buy a car. (Not that I have a spare $160,000 for the cheap one.) More screen shots in the continuation.


Ducati lets you listen to the scream of its superbikes. I like the way they provide small pop-up windows with details like this. Unfortunately, I have to switch browsers to see them since my default browsers, Opera and Mozilla, shut out pop-ups.
This is Italian art. Why can't everything be this much fun?

















I’m reading Leonardo’s Laptop by Ben Shneiderman. Ben was a fellow keynoter at the I-KNOW Conference in Graz earlier this year.
The big message is “Computing today is about what computers can do; the new computing will be about what people can do.”
Leonardo da Vinci excelled in science and art, as he detailed in the notebooks he always carried. Today he’d carry a tablet computer of some sort. The book looks at computing in learning, business, healthcare, and government, always asking What would Leonardo do?
The old computing was about mastering technology. Remember when people talked about how big their hard drives were or the clock speed of their processor chips? The new computing is about getting people together. We’ve gone from formulating database queries to participating in communities of practice. Teachers no longer teach; they guide. Sales people don’t sell; they form relationships. Shneiderman says “This Copernican shift is bringing concerns about users from the periphery to the center. The emerging focus is on what users want to do in their lives.”
I agree that “The new computing is about collaboration and empowerment—individually, organizationally, and societally,” but it’s also the way the world is starting to work. The computing is a reflection of the users rather than some new invention.
Great line: “The shift in attention is from AI to UI.” From artificial intelligence to user interface. The UI is “you” and “I.” The desired outcome is not a HAL 9000 that replaces man; it’s more like the old Outer Limits punchline: “To serve man.”
Shneiderman posits a universal creative process:
| Collect | Relate | Create | Donate |
Then he sets up four tiers of relationships
| Self | Family and friends | Colleagues | Citizens |
He puts these into a grid: an activites and relationships table (ART). Seeing how the cells play out in learning, business, government, and medicine fill most of the rest of the text.
| Collect | Relate | Create | Donate | |
| Self | ||||
| Family and friends | ||||
| Colleagues | ||||
| Citizens | ||||
“Memorizing dates for Napolenon’s rule, names of the U.S. presidents, or rivers of Africa is less relevant in an age of ubiguqitous information. The new education accenturates critical thinking, analytical strategies, and working with people. This goals are tied to improving communication skills and creative problem solving.”
“The case for active learning was boldly stated in 1971 by the Canadian educator Wilard Wees in his aptly titled book Nobody Can Teach Anybody Anything:
bq.Whatever knowledge children gain they creat themselves;
whatever character they develop they create themselves.
“I’ve come to see that the sound of learning is not my voice lecturing but the buzz of team discussions during a collaborative exercise.”
“Asking a good question is one of the golden keys to learning. Educational psychologists talk about meta-cognitive skills: the capacity of students to reflect on what they know and what they don’t know.”

Lots of people talk about getting out of the box. Cartoon philosopher Scott McCloud does it. He breaks free of the rigid format of comic books in wonderful ways. I was just rereading part of I Can't Stop Thinking. Great stuff. Freeform comics free the mind.
This morning Marc Rosenberg sent an email suggesting I take a gander at something called Star Tree from Inxight. Less than an hour ago I started playing with it (a free download) and I am hooked. Star Tree produces maps like this one:

I’ve loved these morphing tree displays since I frist saw the Plumb Design Visual Thesaurus.
Inxight Star Tree Studio lets you roll your own. Check out this Internet Time Group site map. Is that cool or what?
The Blogger Party |
Ev |
![]() |
![]() Give me a half dozen mojitos, por favor |
![]() Jason |
![]() Jason, his wife Allison, and the back of some woman's head. |
![]() Unflattering portrait of Rebecca Blood. (Sorry, Rebecca.) |
![]() Peter Merholz. |
![]() Anil Dash |
|

Yesterday a fellow who has been in the language training business here for 25 years told me of a new prospect who was delighted to hear him say, “We don’t do eLearning.”
French companies are required to put aside 1.5% of salaries for training. Not a bad idea for the States to follow.
A conversation about networked training for professionals switched from English to French. It seemed odd to be chatting about formation (training en Francais.) My French is spotty but I understood exactly what was meant by regurgitation.
The February issue of T+D magazine arrived in the mail this afternoon. I have to admit that I beamed with pride on finding this first in the list of features:
Sight Mammals
By Jay Cross
People learn from words and pictures as well as--or better than--from just words. Here's how to create drawings, graphics, or other visuals to enhance your own or your audiences's absorption of information.
You see*, I believe that over-reliance on the alphabet impedes our understanding of how things work, and that favoring graphics over text can make the world a better place to live. Words are just words. Visuals are often a better approximation of reality.

Of course, you've heard my rant on this if you've visited the Center for Visual Learning here at Internet Time.
Sherrin Bennett, who had recorded, or rather interpreted visually, our eLearning Forum sessions for the previous year, helped me understand the potential of the field. When I met David Sibbet, founder of The Grove Consultants and more or less the inventor of group graphics, Sherrin coincidentally was in the next room. David is an inspiration -- I'd appreciated his work before but hadn't recognized it as his.
Word of the eLearning Forum session led to meetings with Bob Horn, inventor of Information Mapping and author of Visual Language. Among other things, Bob conceptualized how the web would work before Tim Berners-Lee got his first job. Wow! Yet another luminary.
To round out the eLearning Forum event, Dave Gray, the founder of Xplanations (you've seen their work in Business 2.0 and other places), flew in from St. Louis and linked graphic presentation to business performance.
A few days before the eLearning Forum meeting, I wanted to document all the things I'd been learning. ("Can you see what I see?") I wrote a piece called Envisioning eLearning.
eLearning Magazine liked the first half of what I'd written, and it become the Guest Editorial in the November issue. T+D was more interested in the meta-skills and broader implications; Sight Mammals is drawn from the second half of my original story. By the way, I didn't dream up the title Sight Mammals, T+D did, but I love it!
Humans are sight mammals, proposes e-learning guru Jay Cross. They learn almost twice as well from images and words as from words alone. Visuals engage both hemispheres of the human brain. Pictures translate across cultures, education levels, and age groups. Yet, most content of corporate learning is text. Schools spend years teaching how to read but only hours on visual literacy. It’s high time for us to open our eyes to the possibilities, Cross asserts.
Visual literacy—whether on paper or electronic—accelerates learning because the richness of the whole picture can be taken in at a glance. Visual metaphors unleash new ideas and spark innovation. Having a sharper eye increases the depth of one’s perception. Rather than walk you through the nuances of color, tone, texture, proportion, and so forth, Cross shares several ways that visuals have contributed to his own learning.
People can create pictures as well as look at them. Cross often draws mind maps to brainstorm on his own and to clarify his thinking. He also assembles simple pictures to convey concepts, using PaintShop Pro. The article shows approaches to using visuals that you can adapt.
For a wonderful visual treat, you must look at this Powers of 10 exhibit. This Flash piece expands on the famous film by Charles and Ray Eames from fifty years ago.
This is a small slice of the Molecular Expressions gallery of micro-photographs.

The current issue of eLearning magazine concludes with a guest editorial by yours truly entitled See What I Mean? Click "More" to see it. Caution: it's 211K.

Last month at TechLearn I pinned this button to the strap of my over-the-shoulder bag in jest. "Content Wanted" struck me as an epistemological joke. It makes the assumption "Other things being equal," but in reality, other things never are. Content can no more exist apart from context than forest from trees. Content and context are not a dichotomy; they are inseparable. Wanting content is like wanting temperature without the weather, taste without the food, or vision without the viewer.
Mind | Matter
Form | Substance
Content | Context
Subject | Background
Trying to separate the inseparable is, I think, a peculiarly Western idea, often attributed to Rene Descartes, who broke apart cogito from sum.
My recent foray in Europe, especially my participation in a panel on the cross-cultural aspects of learning, got me thinking about how Western we are making most eLearning. Separating style and substance is the rallying point of the standards movement, as if one could create and infinite number of forests by simply reshuffling the trees. (Meta-tag that timber!)
My gut tells me there are more powerful ways of thinking about this but they elude me at the moment. Join me, if you will, in a contemplative exercise. Check out these award-winning Persian blogs. Unless you read Farsi, you won't be distracted by the words.
Wired magazine has lost the zest it purveyed in the early days but it still comes up with some zingers.
"The brain doesn't care where visual input comes from. So why not see with a camera jacked into your tongue?" asks Michael Abrams in the December issue.
Now if you've ever wondered about reality beyond the visible spectrum, seeing with your elbow can really get you twisted.

Why not crank up the brain implants to take in radio waves? Use your head as a phone? See in the dark?
Furthermore, can you trust your eyes? Photographs are now a form of fiction. How about what you see when you peer at your dog? It's confusing world. All bits.
Stephen Wolfram's A New Kind of Science is a mind-blowing book. Not that I've read it -- I'm perhaps 50 pages in, a mere grain in the sandbox of this monster tome. But already I've been overwhelmed as Wolfram explains that every scientist before him has gotten it all wrong, and his notions will revolutionize not only physics and chemistry, but economics, sociology, and psychology, too. (My marginal note to myself: Cojones.)
In a nutshell, Wolfram's thesis is that nature can't be described by a bunch of equations. In the real world, processes interact -- and each come away changed. Algorithms make a better worldmeme. Wolfram posits that just about anything can be explained by the interaction of a few simple programs.
If that's all there were to it, Wolfram might have a shot at surpassing Hawking's Brief History of Time for the least read popular book ever published. But today on Wolfram's web site, I happened upon The New Science Explorer.
The Explorer is software that lets you perform Wolfram's experiments as you read along. Wow! For $65, you can follow the original research. I ordered a copy immediately. Maybe when I retire to a desert island, I'll have time to work my way through all of Wolfram's work. This is the way science should be learned!
Navigation has been improved on Plumb Design's Visual Thesaurus. It's worth a visit. You put in a word, e.g. "learning." Here's a snapshot of what you see:

I love tracking a word in this environment -- or even letting it go off on its own, linking one word to the next.
Stan Malcolm has been photographing the Air Line Trail, a railroad straight as an arrow from Boston to New York. The right-of-way is now a beautiful state park. Stan's album of photos over the course of a year is inspiring. Go ahead, take a look. And then settle back for thirty minutes of bliss as you click through the collection.
InfoRomanticism on the Internet
Romantic sensibility in the design of online content
To stimulate the visualization of potential answers, apply the art of drawing. This takes the form of hard sketches. Other synonyms include models, diagrams, renderings, thumbnails, storyboards, flat prototypes, studies, and "wireframes" (a term that I recently picked up). The benefit of drawing is to quickly provide a relative map of elements, text and graphics, in a playful format to expedite exploration of ideas. Drawing promotes an organic growth of concepts. Toggling between risk-taking and discovery-making is inherent here. Such a conceptual evolution provides an engaging platform to determine distinction and relevance of a variety of approaches. This, in turn, streamlines a concept's approval and translation into code.
This evening I read Bill Horton's Illustrating Computer Documentation, the Art of Presenting Information Graphically, On Paper and Online. (1991)
What a practical book! Now out of print, you can buy an electronic copy for $20 from Bill's website. Such a deal.
Bill goes on to give lots of information about color, some of it, ah, eye-opening. What freaks me out is how little use of color one finds in books, cases, "white" papers, and so forth.
The next chapter, Enriching Graphics, describes such things as how to number graphics and captions. Captions! Authors will spend hours getting the words just right or diddling over a comma, but dash off captions as if they were a useless bother. I have news: People read subheads, then captions, and then, if they're still on board, the body copy.
Fortunately, ...enlightened writers and graphic designers now realize that their job is not to put words on paper or to make pretty pictures but to communicate. They are taking steps to put text and pictures together into effective pages."
So many reminders. Page design. Cultural nuances. Symbol libraries. On and on. Illustrating Computer Documentation is chock full of rules of thumb and practical advice.
Stephen's Web features an article today entitled The New Literacy.
Academics are wringing their hands over the decline in student literacy. Professors lament that their charges can't write a sentence, follow the rules of grammar, or read a complex passage. Last year researchers found that most of the students on the campus of a California State University lacked the skills to read the textbooks in their heavy backpacks.
Perhaps the current crop of students fill in for reading with other forms of literacy. They are "polyfocal."
Stephen Downes says,
Stephen purports that
Today's reader works with a much wider grammar. Even such simply typographic conventions, such as the use of italics, bold and capitals, can add new meaning to a text. The addition of symbols, such as smileys, convey emotion or sentiment. The breaking of linguistic rules - like this - can add urgency or clarity. The dropping of nouns, verbs or pronouns can express coreference (essentially, placing two separate thoughts into a single context). True, the haste with which people type online can result in a myriad of interesting typos and other errors - but then the error rate in a message also designates its degree of formality (conversely - to remove the errors reduces all text to the same sterile state of formality).
Perhaps taking in many short bursts of information in parallel is superior to the text-only communication we are accustomed to. Stephen concludes, "The new literacy may not be an even greater grasp of the fine points of language, but rather, a capacity to move beyond the limits of text and to manipulate experience directly."
Robert Horn tells the story of a medical student at Stanford who whizzes through medical texts, taking in their messages by reading only the pictures.
There's not so much wrong with having a short attention span for a person who can grok deep meaning in tiny bursts of time.
On Wednesday morning, I dragged myself out of bed to listen to Vince Flanders and Jakob Nielsen critique webpages in what was falsely billed as "USABILITY WRESTLEMANIA."
Vince is author of Web Pages That Suck and a very funny fellow. (When Gloria met Vince and said, “Hi!”, Vince replied “Not since 1970.”) Jakob is a useability guru whose own site is visually dull because he refuses to use graphics.
Jakob and Vince gave two-minute reviews of websites. Live. We start with the California Department of Motor Vehicles. Confusing. Activities and information buttons intermingled.
U.S. Airways. Let’s make a reservation. Unlike the DMV, you can tell where you are. Reservation is up front while most people would want to do research first. Which Hartford airport? The page would not work for the visually impaired, because the “Continue” button would have dropped off the right side of the screen. One of the Hartford choices is a private airport that U.S. Air does not fly to.
What are the three worst things designers do? Vince:
Vince’s best things people do.
Jakob pointed out these web sins:
Jakob’s “what people do well”
Too bad Vince and Jakob wouldn't wrestle or even argue. (Their websites praise one another.) Vince at least showed up with garish wrestling garb. I had hoped they'd dig into some eLearning pages, but I guess that's a bit much to hope for when the vendors in the Expo are footing part of the bill. Can't bite the hand that feeds and all that.


Last night I read an article by Ruth Clark in The eLearning Developer's Journal that clarified several things my gut had told me were important to design. Read it yourself, but just to tantalize you, I'll summarize part of her Six Principles of Effective e-Learning: What Works and Why.
Over the past decade, Richard Meyer and colleagues at U.C. Santa Barbara have measured the effectiveness of text, graphics, and sound in multimedia learning. He found that:
Here's a simple little application that opens the mind to the possibilities in the near-term future. The application is called Small Blueprinter.
You slap together a diagram of a building in seconds. (Hey, this is only windows and doors.)

Push a button for an isometic view:

Push again for a walkthrough. This is the view from my front door at sunset.

I only stumbled across this fifteen minutes ago. It's a mind-strecher, no?
I'm developing a resource section on visualization. My opening is:
envision. 1. To know in advance: anticipate, divine, foreknow, foresee, see. See FORESIGHT, SEE. 2. To form mental images of: conceive, envisage, fancy, fantasize, image, imagine, picture, see, think, vision, visualize.
Roget’s II: The New Thesaurus, Third Edition. 1995
envisioning. 1. Seeing from a fresh perspective. 2. Looking at relationships and non-linear sequences. 3. Imagining and prototyping new ideas. 4. Focusing and documenting the flow of group discussion. 5. Shortening the time it takes learners to say, "Now I see." 6. What visionaries do.
Internet Time Group, 2002
from Lockergnome this morning:
Australia's Living Heritage, Arts of the Dreaming
Jennifer Isaacs, JB Books
I read this picture book/essay while on vacation in Australia. It describes Aboriginal art from baskets to rock carvings to bark painting to body painting to decorated weapons to sculpture.
"All Aboriginal art is symbolic; much of it is geometric of non-figurative." In fact, it's quite a surprise that the art of the oldest continuous culture in the world (40,000 - 60,000 years old) expresses itself in a form that could be mistaken for "modern" abstract art. Lots of circlues and dots and wavy lines, generally recounting one's personal creation myth and ancestor stories.
Western eyes often miss the frame of Aboriginal art, for it often incorporates found objects from nature. A pile of rocks two blocks down the road from a painted boulder may represent the eggs of an emu.

MAP.NET -- a geographic plot of realms of knowledge. Pretty, but sparsely populated.
In Chicago last month, I dropped my Olympus D510 digital camera on the sidewalk bordering Michigan Avenue. No dents, but the shutter button would not move. Olympus wants $143 to repair it. I paid $400 for the D510 last year. Now it sells for $225 - $250. Alas, the D510 will become landfill.
Today I pawed the Canon S30, Olympus 720UZ, and Nikon 885 at Sarber's Cameras on Solano. They're each $500. They're each 3 megapixels. The Canon is unattractive. The Nikon feels nice in the hand. The Olympus has an 8x zoom. I poured over specs and reviews at Digital Photo Review, an excellent resource, by the way. Tomorrow I plan to give myself the 720UZ for my birthday. I'm turned on.

Follow-up a day later.
The electronic viewfinder on this camera drives me nuts. I intend to return it tomorrow.
And two days thereafter.
My new Olympus D40 just arrived from J&R.
Raven maps are beautiful
National Geographic Map Machine Tornado Touchdowns
'Screen Language': The New Currency for Learning
John Seely Brown
"I was a dinosaur," says Brown.
According to Seely Brown, there is a new kind of digital divide now and it is the divide between faculty and students. Faculty, stuck in yesterday's analog world, are confronted with students who arrive nicely fluent in digital technology and the virtues of hyperspeed. Students already have a handle on how to convey their emotional states electronically. It's up to adults to learn that vernacular, he said. Educators who create programs for adult learning and distance learning need to apply the vernacular and deepen and strengthen these new means of communication.
TextArc, an alternative way to view text.
You must experience TextArc to appreciate its beauty and potential. Just do it.
The n_Gen Design Machine is a rapid prototyping graphic design engine that generates savable graphic files from the user's own text content filtered through n_Gen's Design Modules. The latest release of n_Gen (v 0.98d) and Design Modules (PINK SERIES) are now available for download.
The Guggenheim has a stunning site. I loved the motorcycle show and the on-line version is very good. The main entry page presents tiny thumbnails of every bike in the show. Click to see pictures, stories, specs, different views. Lots of information is close at hand.
The collection of French art from Russian collections is breathtaking. You simply have to see it. Music is matched to the individual painter. History is well-told, an audio narrative to set the context and written historical info on each canvas. It's easy to figure out. You can zoom in on the pictures. And the art is definitive. Perfecto.