June 14, 2004

Time Out for the Fair

Yesterday I walked half a mile down the hill to Berkeley's Live Oak Fair, so named because it takes place in Live Oak Park, a block up from Wavy Gravy's house. I go every year. It's free. And fun.

All manner of crafts are on display, from ceramics to exotic clothing to handmade jewelry to vibrant framed photos of bears, coastal fog, and mountain tops. (That's scuplture made of forks to the right.) Four aisles of booths. This being Berkeley, the shoppers wore Birkenstocks, dashikis, face paint, Free Tibet t-shirts, mu-mu's, peace symbols, tie-dye, and other proto-hippy accoutrements.

On the other side of the creek, a four-piece combo played wonderful music while people noshed on smoked salmon caesar salad, pesto pizza, and Polish sausages. Kids splashed around in the creek itself. (The creek comes above ground a block upstream and disappears back underground at the perimeter of the park. Environmental activists are "daylighting" Berkeley's five major creeks.)

Finding Tom Killion and his woodcut prints of Hawaii and the California coast was a treat. I first admired Tom's work in a beautiful book, The High Sierra of California.

From Tom's http://www.tomkillion.com:

"Tom Killion describes his technique, tongue-in-cheek, as "faux ukiyo-ë" to emphasize his aesthetic debt to the landscape prints of early 19th century Japan, but also to acknowledge his embrace of early 20th century European / American wood-engraving and book illustration techniques and styles as well. Among his influences are both the Japanese ukiyo-ë landscape masters Hokusai and Hiroshige, but also European and American wood-engravers such as Eric Gill and Rockwell Kent. Killion carves his images into cherry, all-shina plywood, Amsterdam linoleum and other block materials using Japanese handtools. He prints his often elaborate, multi-colored images on handmade Japanese kozo papers using oil-based inks and a German hand-cranked proofing press."

 

 

Killion
Hosukai

At the booth, Tom had a set of proofs showing each stage of the making of the print you can see over his left shoulder in the photo. I took a photo of each proof, thinking they'd make a nifty animation. Unfortunately, I'd need to use a camera stand to do this right. The results (caution: large files) are in the Comments section below.

 

Click to see the animation

 

The Proofs


and of course:
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June 11, 2004

Cognitive Mapping

Bob Horn, inventor of Information Mapping, visualized and described hypertext long before the Web was invented. His "maps" of connections and thoughts explain concepts better than any 10,000 words, often nearly instantaneously.

Many a workshop or conference on strategy or a reorganization or a new product launch could be replaced by a good cognitive map and a discussion. I imagine the lessons would stick better, too. Workshops try to fancify and retell what's going on. PowerPoint reductionism. Cognitive maps, by contrast, attempt to diagram the real thing.

Three years ago, Bob Horn, Jim Spohrer, and a bunch of other polymath geniuses got together under the auspices of the NSF to discuss the convergence of cognition, biology, nanotech, and information technology. The common thread of Nano-Bio-Cogno-Info? It's all code. This is better than science fiction.

I had the good fortune of chatting at length with Bob right after he returned from the NSF session several years ago. The event was a catalyst for his thinking deeper about unravelling the Human Cognome. Cognome? You got your genome and your bionome. Why not?

Today I was delighted to see where Bob has taken this. Here's his preliminary cognitive map of for researching the Human Cognome itself.

A small chunk:

Bob suggests these major themes for study of the Human Cognome.

  • Cognitive prostheses for human limitations.
  • Reduce fragmentation of social-psychological disciplines.
  • Visual language to manage complexity.
  • Understanding each other's worldviews.
  • Sequencing the Human Cognome.


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June 10, 2004

Art Break

The world would be a more attractive place if every company devoted a moment at least once a month to art and humor.


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April 12, 2004

Newsmap


>

Newsmap reflects what's on the Google News Aggregator. Just go there and browse around. You can choose the news from the US, UK, India, France, Germany, etc. You can pick World News, National, Tech, Business, etc. As you glide over the mosaic, the headlines appear as pop-ups.

It's fun to check out different culture's take on events, say comparing Italian health coverage to New Zealand's, or Indian's viewpoint of tech and the US's.

Imagine this technology coupled to Technorati and RSS. A new way to avoid info glut: "I only read the morning color bars."

Check the references if you're into the sort of thing. Ben Shneiderman's recemt;u updated Treemaps for space-constrained visualization of hierarchies is a great read.

From a pointer by Peter Merholz

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March 21, 2004

Button-maker

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Still speechless

Yesterday's itinerary: Fredericton, Boston, Atlanta, Oakland.


Canadian peacekeepers leaving Fredericton for Haiti.


It may not look like it, but this is Canadian bacon.


The pub as community networking center.


Chinese scallop scavengers. Or maybe they're eLearning guys.


The Saturday morning market in Fredericton. Local producers, fresh goods, community gathering point. I bought cheese for the flight with Delta, which now considers food an extra-charge add-on.


Stunning views of the Maine coast.



A passenger with time on his hands.


Provisions from Legal Seafoods at the Delta terminal in Boston.


Steamers are not served in California.


"I'll have clams to start and then some clams for lunch."


On the way back, sleep deprivation kicked in and I drew pages of models and insight that I hope looks as cool in a few minutes as it seemed at the time.




Einstein said "There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle."

I find it miraculous to depart from a town in Atlantic Canada in the early afternoon...


The St. John's River at Fredericton.

...and to awaken in Berkeley, California, the next morning.


Redwoods and maple in the backyard on Poppy Lane in Berkeley.


View south from my living room.


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March 09, 2004

3D, the New Ransome Note?

When laser printers first came out, many people began turning out memos that used as many font faces and sizes as possible. These garish "ransome notes" obscured the message they were trying to communicate. Let's hope history doesn't repeat itself now that it's drop-dead simple to create 3D headlines like these:

Here, try it yourself:


The complete package, which also does 3d objects, buttons, and vector graphics, costs $45. Here's more information.

Advice to would-be designers: Don't put too much chrome on the car.

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March 08, 2004

Concept Map

Very cool, a concept map about concept maps. Click for full size image.

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February 20, 2004

Edinburgh Sites


Sunshine in Edinburgh. This is the castle.


The last resting place of David Hume.


On the facade of St. Giles


Along the Royal Mile


These were all over


Bill's favorite pub

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December 03, 2003

Mr. Picassohead

Years ago, Electronic Arts brought out a game called Pinball Construction Set. This was pre-Windows, and great visual experiences were rare. I spent countless hours dragging bumpers and rails to create my own personal pinball games. I'd play a while, then modify the game. It was a wonderful metaphor. Make-your-own-game. And then make it better.

Ruder Finn has just released a Picasso Construction Set called Mr. Picassohead, and it is great fun. Perhaps even better than Pinball Construction Set. A Flash ap, it's free and the learning curve is about five seconds. You simply must try this.

Here's my first Picassohead:

I bet I could develop a Technical Proposal Construction Set if I wanted to.

Thanks to Stephen Downes for the pointer.

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November 09, 2003

Surfing Safari

itunes

These were sparked from reading today's New York Times.

Spamhaus

Lamborghini's site is a quirky work of art. Absolutely beautiful. Great history. Fun to play in. Yet I could find no way to buy a car. (Not that I have a spare $160,000 for the cheap one.) More screen shots in the continuation.

Ducati lets you listen to the scream of its superbikes. I like the way they provide small pop-up windows with details like this. Unfortunately, I have to switch browsers to see them since my default browsers, Opera and Mozilla, shut out pop-ups.

This is Italian art. Why can't everything be this much fun?



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October 02, 2003

Nissa la bella

Photos from Nice

Nothing like a trip to a new land to recharge the batteries!

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September 01, 2003

Leonardo's Laptop

I’m reading Leonardo’s Laptop by Ben Shneiderman. Ben was a fellow keynoter at the I-KNOW Conference in Graz earlier this year.

The big message is “Computing today is about what computers can do; the new computing will be about what people can do.”

Leonardo da Vinci excelled in science and art, as he detailed in the notebooks he always carried. Today he’d carry a tablet computer of some sort. The book looks at computing in learning, business, healthcare, and government, always asking What would Leonardo do?

The old computing was about mastering technology. Remember when people talked about how big their hard drives were or the clock speed of their processor chips? The new computing is about getting people together. We’ve gone from formulating database queries to participating in communities of practice. Teachers no longer teach; they guide. Sales people don’t sell; they form relationships. Shneiderman says “This Copernican shift is bringing concerns about users from the periphery to the center. The emerging focus is on what users want to do in their lives.”

I agree that “The new computing is about collaboration and empowerment—individually, organizationally, and societally,” but it’s also the way the world is starting to work. The computing is a reflection of the users rather than some new invention.

Great line: “The shift in attention is from AI to UI.” From artificial intelligence to user interface. The UI is “you” and “I.” The desired outcome is not a HAL 9000 that replaces man; it’s more like the old Outer Limits punchline: “To serve man.”

Shneiderman posits a universal creative process:

CollectRelateCreateDonate

Then he sets up four tiers of relationships

SelfFamily and friendsColleaguesCitizens

He puts these into a grid: an activites and relationships table (ART). Seeing how the cells play out in learning, business, government, and medicine fill most of the rest of the text.

CollectRelateCreateDonate
Self
Family and friends
Colleagues
Citizens

“Memorizing dates for Napolenon’s rule, names of the U.S. presidents, or rivers of Africa is less relevant in an age of ubiguqitous information. The new education accenturates critical thinking, analytical strategies, and working with people. This goals are tied to improving communication skills and creative problem solving.”

“The case for active learning was boldly stated in 1971 by the Canadian educator Wilard Wees in his aptly titled book Nobody Can Teach Anybody Anything:
bq.Whatever knowledge children gain they creat themselves;
whatever character they develop they create themselves.

“I’ve come to see that the sound of learning is not my voice lecturing but the buzz of team discussions during a collaborative exercise.”

“Asking a good question is one of the golden keys to learning. Educational psychologists talk about meta-cognitive skills: the capacity of students to reflect on what they know and what they don’t know.”

The old business was about making a profit; the new business is about making a profit.

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July 11, 2003

Scott McCloud


Lots of people talk about getting out of the box. Cartoon philosopher Scott McCloud does it. He breaks free of the rigid format of comic books in wonderful ways. I was just rereading part of I Can't Stop Thinking. Great stuff. Freeform comics free the mind.

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June 06, 2003

Inxight

This morning Marc Rosenberg sent an email suggesting I take a gander at something called Star Tree from Inxight. Less than an hour ago I started playing with it (a free download) and I am hooked. Star Tree produces maps like this one:

I’ve loved these morphing tree displays since I frist saw the Plumb Design Visual Thesaurus.

Inxight Star Tree Studio lets you roll your own. Check out this Internet Time Group site map. Is that cool or what?

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May 14, 2003

Blogger Party

The Blogger Party
26Mix, San Francisco

May 13, 2004

Ev


Give me a half dozen mojitos, por favor

Jason

Jason, his wife Allison, and the back of some woman's head.

Unflattering portrait of Rebecca Blood. (Sorry, Rebecca.)

Peter Merholz.

Anil Dash


She told me her husband made it for her.

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March 27, 2003

Paris in the Spring

Paris in the
the Spring

Yesterday a fellow who has been in the language training business here for 25 years told me of a new prospect who was delighted to hear him say, “We don’t do eLearning.”

French companies are required to put aside 1.5% of salaries for training. Not a bad idea for the States to follow.

A conversation about networked training for professionals switched from English to French. It seemed odd to be chatting about formation (training en Francais.) My French is spotty but I understood exactly what was meant by regurgitation.

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February 06, 2003

Sight Mammals

The February issue of T+D magazine arrived in the mail this afternoon. I have to admit that I beamed with pride on finding this first in the list of features:

    Sight Mammals
    By Jay Cross
    People learn from words and pictures as well as--or better than--from just words. Here's how to create drawings, graphics, or other visuals to enhance your own or your audiences's absorption of information.

Executive Summary / Free PDF

You see*, I believe that over-reliance on the alphabet impedes our understanding of how things work, and that favoring graphics over text can make the world a better place to live. Words are just words. Visuals are often a better approximation of reality.


"This is not a pipe." (It's a picture of a pipe.)

Of course, you've heard my rant on this if you've visited the Center for Visual Learning here at Internet Time.



A year ago, the topic of visual learning grabbed me by the shoulders and shook me to the core. Having proposed visual learning as the focus of the April 2002 meeting of the eLearning Forum, I set out to get my arms around the subject.

Sherrin Bennett, who had recorded, or rather interpreted visually, our eLearning Forum sessions for the previous year, helped me understand the potential of the field. When I met David Sibbet, founder of The Grove Consultants and more or less the inventor of group graphics, Sherrin coincidentally was in the next room. David is an inspiration -- I'd appreciated his work before but hadn't recognized it as his.

Word of the eLearning Forum session led to meetings with Bob Horn, inventor of Information Mapping and author of Visual Language. Among other things, Bob conceptualized how the web would work before Tim Berners-Lee got his first job. Wow! Yet another luminary.

To round out the eLearning Forum event, Dave Gray, the founder of Xplanations (you've seen their work in Business 2.0 and other places), flew in from St. Louis and linked graphic presentation to business performance.

A few days before the eLearning Forum meeting, I wanted to document all the things I'd been learning. ("Can you see what I see?") I wrote a piece called Envisioning eLearning.

eLearning Magazine liked the first half of what I'd written, and it become the Guest Editorial in the November issue. T+D was more interested in the meta-skills and broader implications; Sight Mammals is drawn from the second half of my original story. By the way, I didn't dream up the title Sight Mammals, T+D did, but I love it!


    Executive Summary: Sight Mammals

    Humans are sight mammals, proposes e-learning guru Jay Cross. They learn almost twice as well from images and words as from words alone. Visuals engage both hemispheres of the human brain. Pictures translate across cultures, education levels, and age groups. Yet, most content of corporate learning is text. Schools spend years teaching how to read but only hours on visual literacy. It’s high time for us to open our eyes to the possibilities, Cross asserts.

    Visual literacy—whether on paper or electronic—accelerates learning because the richness of the whole picture can be taken in at a glance. Visual metaphors unleash new ideas and spark innovation. Having a sharper eye increases the depth of one’s perception. Rather than walk you through the nuances of color, tone, texture, proportion, and so forth, Cross shares several ways that visuals have contributed to his own learning.

    People can create pictures as well as look at them. Cross often draws mind maps to brainstorm on his own and to clarify his thinking. He also assembles simple pictures to convey concepts, using PaintShop Pro. The article shows approaches to using visuals that you can adapt.





Double entendre intended.

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January 03, 2003

Powers of 10

For a wonderful visual treat, you must look at this Powers of 10 exhibit. This Flash piece expands on the famous film by Charles and Ray Eames from fifty years ago.

This is a small slice of the Molecular Expressions gallery of micro-photographs.

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December 30, 2002

See what I mean?



The current issue of eLearning magazine concludes with a guest editorial by yours truly entitled See What I Mean? Click "More" to see it. Caution: it's 211K.



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December 10, 2002

Global culture

Last month at TechLearn I pinned this button to the strap of my over-the-shoulder bag in jest. "Content Wanted" struck me as an epistemological joke. It makes the assumption "Other things being equal," but in reality, other things never are. Content can no more exist apart from context than forest from trees. Content and context are not a dichotomy; they are inseparable. Wanting content is like wanting temperature without the weather, taste without the food, or vision without the viewer.


Mind | Matter
Form | Substance
Content | Context
Subject | Background



Trying to separate the inseparable is, I think, a peculiarly Western idea, often attributed to Rene Descartes, who broke apart cogito from sum.

My recent foray in Europe, especially my participation in a panel on the cross-cultural aspects of learning, got me thinking about how Western we are making most eLearning. Separating style and substance is the rallying point of the standards movement, as if one could create and infinite number of forests by simply reshuffling the trees. (Meta-tag that timber!)

My gut tells me there are more powerful ways of thinking about this but they elude me at the moment. Join me, if you will, in a contemplative exercise. Check out these award-winning Persian blogs. Unless you read Farsi, you won't be distracted by the words.

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December 09, 2002

Dumkopf!

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November 20, 2002

Sight without eyes

Wired magazine has lost the zest it purveyed in the early days but it still comes up with some zingers.

"The brain doesn't care where visual input comes from. So why not see with a camera jacked into your tongue?" asks Michael Abrams in the December issue.

The fact is, visual information doesn't have to go through the eyes to get to the brain. Our sense organs are mere input devices--wet USB ports. The basic premise, known as plasticity, is that the brain can adapt to new data channels by rewiring itself. It's a short step from there to sensory augmentation and substitution. New devices are extending pilots' perception of space, giving rudimentary sight to the blind, restoring balance to people whose vestibular systems have failed, even enabling orgasms. "A nerve spike is a nerve spike," says Paul Bach-y-Rita, professor.... "The brain doesn't give a damn where the information is coming from."

Now if you've ever wondered about reality beyond the visible spectrum, seeing with your elbow can really get you twisted.

Why not crank up the brain implants to take in radio waves? Use your head as a phone? See in the dark?

Furthermore, can you trust your eyes? Photographs are now a form of fiction. How about what you see when you peer at your dog? It's confusing world. All bits.

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November 06, 2002

A new kind of software

Stephen Wolfram's A New Kind of Science is a mind-blowing book. Not that I've read it -- I'm perhaps 50 pages in, a mere grain in the sandbox of this monster tome. But already I've been overwhelmed as Wolfram explains that every scientist before him has gotten it all wrong, and his notions will revolutionize not only physics and chemistry, but economics, sociology, and psychology, too. (My marginal note to myself: Cojones.)

In a nutshell, Wolfram's thesis is that nature can't be described by a bunch of equations. In the real world, processes interact -- and each come away changed. Algorithms make a better worldmeme. Wolfram posits that just about anything can be explained by the interaction of a few simple programs.

If that's all there were to it, Wolfram might have a shot at surpassing Hawking's Brief History of Time for the least read popular book ever published. But today on Wolfram's web site, I happened upon The New Science Explorer.

The Explorer is software that lets you perform Wolfram's experiments as you read along. Wow! For $65, you can follow the original research. I ordered a copy immediately. Maybe when I retire to a desert island, I'll have time to work my way through all of Wolfram's work. This is the way science should be learned!

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November 04, 2002

Visual Thesaurus Update

Navigation has been improved on Plumb Design's Visual Thesaurus. It's worth a visit. You put in a word, e.g. "learning." Here's a snapshot of what you see:

I love tracking a word in this environment -- or even letting it go off on its own, linking one word to the next.

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November 02, 2002

The Airline Trail

Stan Malcolm has been photographing the Air Line Trail, a railroad straight as an arrow from Boston to New York. The right-of-way is now a beautiful state park. Stan's album of photos over the course of a year is inspiring. Go ahead, take a look. And then settle back for thirty minutes of bliss as you click through the collection.

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November 01, 2002

Grokker

Grokker

Grokker builds precise and detailed knowledge maps containing visual cues and relationships between the data. The map itself contains powerful metadata that vividly describes the “nature” of the data collection. The Grokker product enables map generation and the ability to collaborate, extend, edit, delete, save, and share any attribute or subset of the map

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October 17, 2002

InfoRomanticism?

InfoRomanticism on the Internet
Romantic sensibility in the design of online content

To stimulate the visualization of potential answers, apply the art of drawing. This takes the form of hard sketches. Other synonyms include models, diagrams, renderings, thumbnails, storyboards, flat prototypes, studies, and "wireframes" (a term that I recently picked up). The benefit of drawing is to quickly provide a relative map of elements, text and graphics, in a playful format to expedite exploration of ideas. Drawing promotes an organic growth of concepts. Toggling between risk-taking and discovery-making is inherent here. Such a conceptual evolution provides an engaging platform to determine distinction and relevance of a variety of approaches. This, in turn, streamlines a concept's approval and translation into code.

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October 14, 2002

Color


This evening I read Bill Horton's Illustrating Computer Documentation, the Art of Presenting Information Graphically, On Paper and Online. (1991)

What a practical book! Now out of print, you can buy an electronic copy for $20 from Bill's website. Such a deal.

Most animals are color-blind. Only human beings, a few other primates, day-active birds, reptiles, fish, mollusks, and bees see in color. Frogs, salamanders, dogs, cats, horses, and sheep are all color-blind. Color helps us deal with a complex, ever changing environment rapidly and surely.

Bill goes on to give lots of information about color, some of it, ah, eye-opening. What freaks me out is how little use of color one finds in books, cases, "white" papers, and so forth.

The next chapter, Enriching Graphics, describes such things as how to number graphics and captions. Captions! Authors will spend hours getting the words just right or diddling over a comma, but dash off captions as if they were a useless bother. I have news: People read subheads, then captions, and then, if they're still on board, the body copy.

Captions are some of the most important words an author can write.

Pictures are more powerful than text. When a page contains graphics, they are noticed first, studied longer, and returned to more often than text. Labels, annotations, and captions to graphics are read more often than body text or headings. Yet most page designs used in computer documentation and other technical documents treat graphics as secondary and even as an unwelcome violation of the pure design of the page.

Fortunately, ...enlightened writers and graphic designers now realize that their job is not to put words on paper or to make pretty pictures but to communicate. They are taking steps to put text and pictures together into effective pages."

So many reminders. Page design. Cultural nuances. Symbol libraries. On and on. Illustrating Computer Documentation is chock full of rules of thumb and practical advice.

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October 11, 2002

Engineer's UI



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October 04, 2002

New Definition of Literacy?

Stephen's Web features an article today entitled The New Literacy.

Academics are wringing their hands over the decline in student literacy. Professors lament that their charges can't write a sentence, follow the rules of grammar, or read a complex passage. Last year researchers found that most of the students on the campus of a California State University lacked the skills to read the textbooks in their heavy backpacks.

Perhaps the current crop of students fill in for reading with other forms of literacy. They are "polyfocal."

That is, very rarely do they direct their attention in a focal, concentrated way to any single text or medium. When they watch television, they also listen to music and read or carry on conversations; traveling on the bus or Mass Transit Railway they read and listen to music-most commonly they 'read' while chatting, watching television and listening to music on CD." Observe a teenager, and you'll see what we're talking about.

Stephen Downes says,

It seems to me that for an information age student the most definiing characteristic of written text is that it is slow. Not quite as slow as listening to voice mail messages, but when compared to the rapid-fire pace of information transfer most of us are used to, it is achingly slow. The words struggle to pass from one to the next, a disappointingly linear presentation of what would more usefuly be a multi-streamed layering and threading of information, context and content. Today's students see no reason to wait. If there is a lull in the information stream coming from one direction, they quickly shift focus to another.

Stephen purports that

What the critics of new media are missing is what may be called hyper-grammar. Textual language is bound by rules of syntax and semantics, with reference and meaning tightly constrainted by systems of representation. It is not a thought, in text, if it cannot be articulated without a subject and a predicate. It is not related to another thought, in text, if it cannot be logically conjoined. Waves of meaning are washed aside when the experience is rendered into words. That experience, so quaintly called "filling in the gaps with your imagination" by the literati, is lamented by the older generation when it is lost. And frustrating for the young, who would like to know what the author really meant with just that turn of a phrase.

Today's reader works with a much wider grammar. Even such simply typographic conventions, such as the use of italics, bold and capitals, can add new meaning to a text. The addition of symbols, such as smileys, convey emotion or sentiment. The breaking of linguistic rules - like this - can add urgency or clarity. The dropping of nouns, verbs or pronouns can express coreference (essentially, placing two separate thoughts into a single context). True, the haste with which people type online can result in a myriad of interesting typos and other errors - but then the error rate in a message also designates its degree of formality (conversely - to remove the errors reduces all text to the same sterile state of formality).

Perhaps taking in many short bursts of information in parallel is superior to the text-only communication we are accustomed to. Stephen concludes, "The new literacy may not be an even greater grasp of the fine points of language, but rather, a capacity to move beyond the limits of text and to manipulate experience directly."

Robert Horn tells the story of a medical student at Stanford who whizzes through medical texts, taking in their messages by reading only the pictures.

There's not so much wrong with having a short attention span for a person who can grok deep meaning in tiny bursts of time.

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September 27, 2002

OLL Nielsen & Flanders

On Wednesday morning, I dragged myself out of bed to listen to Vince Flanders and Jakob Nielsen critique webpages in what was falsely billed as "USABILITY WRESTLEMANIA."

Vince is author of Web Pages That Suck and a very funny fellow. (When Gloria met Vince and said, “Hi!”, Vince replied “Not since 1970.”) Jakob is a useability guru whose own site is visually dull because he refuses to use graphics.

Jakob and Vince gave two-minute reviews of websites. Live. We start with the California Department of Motor Vehicles. Confusing. Activities and information buttons intermingled.


U.S. Airways. Let’s make a reservation. Unlike the DMV, you can tell where you are. Reservation is up front while most people would want to do research first. Which Hartford airport? The page would not work for the visually impaired, because the “Continue” button would have dropped off the right side of the screen. One of the Hartford choices is a private airport that U.S. Air does not fly to.

What are the three worst things designers do? Vince:

    1. You gotta know your target audience. You should be able to figure out what someone is doing within four seconds. The Suttleworth site addresses the needs of the designer, not the reader.
    2. Inappropriate use of technology. See webpagesthatsuck.com.
    3. Poor navigation.

Vince’s best things people do.

    1. Target audience. You’re all going to die! Buy life insurance.
    2. International Herald Trib site. Select font size, one or three columns. An amazing tour de force. (Glish.com enables you to change font face.)
    3. appropriate tech. slide a frog.

Jakob pointed out these web sins:

    1. No prices. Not providing information people need to know.
    2. Big blocks of text.
    3. Inflexible search. Needs prioritization.

Jakob’s “what people do well”

    1. Search boxes are more prevalent
    2. Fewer gratuitous, bandwidth-hogging images
    3. Real-time update inventories, “Only two copies left”

Too bad Vince and Jakob wouldn't wrestle or even argue. (Their websites praise one another.) Vince at least showed up with garish wrestling garb. I had hoped they'd dig into some eLearning pages, but I guess that's a bit much to hope for when the vendors in the Expo are footing part of the bill. Can't bite the hand that feeds and all that.




Related links on web design

Design Not Found

Bad Designs

Interface Hall of Shame

Usable Web

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September 14, 2002

Seeing what works

Last night I read an article by Ruth Clark in The eLearning Developer's Journal that clarified several things my gut had told me were important to design. Read it yourself, but just to tantalize you, I'll summarize part of her Six Principles of Effective e-Learning: What Works and Why.

Over the past decade, Richard Meyer and colleagues at U.C. Santa Barbara have measured the effectiveness of text, graphics, and sound in multimedia learning. He found that:

  • A combination of text and relevant graphic improves learning 89% over text-only.
  • Animation with narration (sound) was 80% more effective than animation with written captions. Caution: using both sound and a written caption overloads the senses and degrades learning performance.
  • Too much is too much. Superfluous graphics cut learning rates in half. Similarly, students learned 69% better with lessons that were light on text than on full-bodied versions.
  • Treat the learner as a human being, using you and I, informality, and a human-life avatar or guide, and learning increases.

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September 09, 2002

CA Award Winner

Color, Contrast & Dimension. A beautiful site and Communications Arts award-winner.

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September 04, 2002

Empowering the visual sense

Here's a simple little application that opens the mind to the possibilities in the near-term future. The application is called Small Blueprinter.

You slap together a diagram of a building in seconds. (Hey, this is only windows and doors.)

Push a button for an isometic view:

Push again for a walkthrough. This is the view from my front door at sunset.

I only stumbled across this fifteen minutes ago. It's a mind-strecher, no?

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August 26, 2002

I'm developing a resource section

I'm developing a resource section on visualization. My opening is:

envision. 1. To know in advance: anticipate, divine, foreknow, foresee, see. See FORESIGHT, SEE. 2. To form mental images of: conceive, envisage, fancy, fantasize, image, imagine, picture, see, think, vision, visualize.

Roget’s II: The New Thesaurus, Third Edition. 1995


envisioning. 1. Seeing from a fresh perspective. 2. Looking at relationships and non-linear sequences. 3. Imagining and prototyping new ideas. 4. Focusing and documenting the flow of group discussion. 5. Shortening the time it takes learners to say, "Now I see." 6. What visionaries do.

Internet Time Group, 2002

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August 20, 2002

from Lockergnome this morning: Zone-Tour

from Lockergnome this morning:


Zone-Tour

    Photography is another love of mine (surpassed only by my love of computers). Maybe it isn't photography itself that catches my interest, but maybe it is more the possibility of stepping outside of the norm and seeing things that most other people don't see. This web site, zone-tour.com, is the essence of what I am talking about. Its developers call it an urban exploration to show you a world otherwise hidden and out of mind. Most people don't think of the world that exists beneath their feet or on the roof of their building... but these people do! They spend their time taking pictures and videos of these out-of-the-way of places to show the rest of us who have never thought about them. Check out the pictures of an old German bunker in France, or look through the pictures of the Stanton Sub Station in New York. All the photos on this web site are beautifully taken and you can even do a search on the web site by country to see if there are any "hidden worlds" near you.
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July 31, 2002

Australia's Living Heritage, Arts of

Australia's Living Heritage, Arts of the Dreaming
Jennifer Isaacs, JB Books

I read this picture book/essay while on vacation in Australia. It describes Aboriginal art from baskets to rock carvings to bark painting to body painting to decorated weapons to sculpture.

"All Aboriginal art is symbolic; much of it is geometric of non-figurative." In fact, it's quite a surprise that the art of the oldest continuous culture in the world (40,000 - 60,000 years old) expresses itself in a form that could be mistaken for "modern" abstract art. Lots of circlues and dots and wavy lines, generally recounting one's personal creation myth and ancestor stories.

Western eyes often miss the frame of Aboriginal art, for it often incorporates found objects from nature. A pile of rocks two blocks down the road from a painted boulder may represent the eggs of an emu.

We tend to look primarily for images that we recognize and that relate to our own perceptions of the world, perhaps ignoring the importance of other evidence relating to another world view. The existence of so many tracks, circles and other marks at most of the rock engraving sites highlights an aspect of Aboriginal perception that differs from that of Europeans. Because it was so necessary for hunters to undestand and relate to the tracks and marks left by every living creature, the engravings frequently showed the 'marks' made by people and animals, rather than presenting representational images of their forms. Examples are the obvious foot tracks, tail marks of the kangaroo, egg indentations to indicate a clutch of emu eggs, arcs and circles to denote seated people and a campfire.
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July 12, 2002

Lego man. Very cool.

Lego man. Very cool.

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June 24, 2002

Nifty visual summaries of "lessons"

Nifty visual summaries of "lessons" from the ASTD Conference.

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June 15, 2002

MAP.NET -- a geographic plot


MAP.NET -- a geographic plot of realms of knowledge. Pretty, but sparsely populated.

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June 14, 2002

In Chicago last month, I

In Chicago last month, I dropped my Olympus D510 digital camera on the sidewalk bordering Michigan Avenue. No dents, but the shutter button would not move. Olympus wants $143 to repair it. I paid $400 for the D510 last year. Now it sells for $225 - $250. Alas, the D510 will become landfill.

Today I pawed the Canon S30, Olympus 720UZ, and Nikon 885 at Sarber's Cameras on Solano. They're each $500. They're each 3 megapixels. The Canon is unattractive. The Nikon feels nice in the hand. The Olympus has an 8x zoom. I poured over specs and reviews at Digital Photo Review, an excellent resource, by the way. Tomorrow I plan to give myself the 720UZ for my birthday. I'm turned on.


Follow-up a day later.
The electronic viewfinder on this camera drives me nuts. I intend to return it tomorrow.

And two days thereafter.
My new Olympus D40 just arrived from J&R.

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May 28, 2002

Raven maps are beautiful National


Raven maps are beautiful

National Geographic Map Machine Tornado Touchdowns

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May 24, 2002

Interface Hall of Shame


Interface Hall of Shame

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May 13, 2002

'Screen Language': The New Currency

'Screen Language': The New Currency for Learning
John Seely Brown

"I was a dinosaur," says Brown.

According to Seely Brown, there is a new kind of digital divide now and it is the divide between faculty and students. Faculty, stuck in yesterday's analog world, are confronted with students who arrive nicely fluent in digital technology and the virtues of hyperspeed. Students already have a handle on how to convey their emotional states electronically. It's up to adults to learn that vernacular, he said. Educators who create programs for adult learning and distance learning need to apply the vernacular and deepen and strengthen these new means of communication.

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May 11, 2002

TextArc, an alternative way to

TextArc, an alternative way to view text.

You must experience TextArc to appreciate its beauty and potential. Just do it.

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April 28, 2002

The n_Gen Design Machine


The n_Gen Design Machine is a rapid prototyping graphic design engine that generates savable graphic files from the user's own text content filtered through n_Gen's Design Modules. The latest release of n_Gen (v 0.98d) and Design Modules (PINK SERIES) are now available for download.

The n_Gen Design Machine is developed by Move Design, Inc., a San Francisco visual communication design firm. n_Gen represents an attempt to define a new design methodology, one that harnesses the computer?s powerful simulation and automation capabilities, freeing the user to focus on design decisions. A little bit like gardening, a bit like genetic engineering, with a touch of gambling thrown in.
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April 26, 2002

The Guggenheim has a stunning

The Guggenheim has a stunning site. I loved the motorcycle show and the on-line version is very good. The main entry page presents tiny thumbnails of every bike in the show. Click to see pictures, stories, specs, different views. Lots of information is close at hand.

The collection of French art from Russian collections is breathtaking. You simply have to see it. Music is matched to the individual painter. History is well-told, an audio narrative to set the context and written historical info on each canvas. It's easy to figure out. You can zoom in on the pictures. And the art is definitive. Perfecto.

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People signing at UVA

People signing at UVA

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